Step 1
1. The title of the exhibit is Imperfections by Chance:Paul Feeley Retrospective, 1954-1966.
2. The theme of this exhibit was based on a creative mindset that thrived on intuitive discoveries or abstract expressionism.
Step 2
1. There were regular ceiling lights used and they weren't too bright, but it made the room and paintings visible.
2. The walls were regular white/tan walls.
3. Architecturally, the rooms were just open space. They had a few benches and chairs, but they didn't get in the way of any of the paintings.
4. It was a little overwhelming when I first walked in because there were three, smaller rooms I saw with more of his artwork besides the one big one that I first walked into. Other than that, the movement around the exhibit was pretty simple. I first observed the larger art pieces in the main room, then went in the back, came out and then in to the side room with the very small paintings, and finally, went into the last room.
Step 3
1. All of the artworks were pinned on the walls and evenly and appropriately placed.
2. The artworks were similar because they all sort of looked alike. It's like he painted the same design, but flipped, turned, inverted, streched, and squeezed each one.
3. The colors were different, but the same colors were used in all of his paintings. Some of the shapes, though, were different than the rest.
4. They were all in skinny frames, so the painting was really emphasized.
5. As like every label in the Albright gallery, each painting had a small, sliver like post on the wall next to each painting, describing the artwork.
6. All of the artwork was in the same area, just with multiple rooms.
Step 4
The public was not allowed to take pics of this exhibit so I looked online for them. My source was www.garthgreenan.com
1. Paul Feeley, Cassius, oil based enamel on canvas,1959, 80x56 inches
I liked the Orange and blue colors together. That's what caught my eye first. It looks like a bridge and then again looks like arches. I see the green, blue, and orange hues. It's repetitive and contrasting. There are also lines used. This painting reminds me so much of that famous piece of architecture in Europe that looks like a bridge. I'm not sure what the artist was trying to say.
2. Paul Feeley, Arcturus, oil based enamel on canvas, 1963, 60x60 inches
This shade of blue is my favorite color. I see 6 closed loops that form this flowerlike design. It has a small yellow , almost similar design, shape in the middle of it. It's symmetric and geometric. It reminds of a flower. I think he was just trying to show the simplicity of a flower, abstractly.
3. Paul Feely, Untitled, oil based enamel on canvas, 1958, 45x28 inches
This painting has my favorite colors in it. I see a big, blue, bean-type shape with a small tube meeting the end of the canvas. There is yellow surrounding it. The big blue shape takes up most of the space and is emphasized. It looks like it belongs in your body, like your stomach area. Since it doesn't have a title, I'm not sure he even knew what the piece meant.
Step 5
I really enjoyed looking at this exhibit and all the exhibits. I really like the Lucas Samara reflections exhibit and being able to walk into the mirrored room. Paul Feeleys exhibit was different, but interesting. I really enjoyed the bright colors he uses and I think noticing the space and color of the walls is important because that's what made his paintings catch your eye. Looking at what goes into creating an exhibit is just important as the artwork